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by Faustus." A second attempt of the knight to revenge himself on Faustus proved equally unsuccessful. Sigs. G 2, I 3, ed. 1648." ] [Footnote 176: that: So 4to 1616.--2tos 1624, 1631, "the."] [Footnote 177: my: So 4to 1616.--2tos 1624, 1631, "thy."] [Footnote 178: that: So 4to 1616.--2tos 1624, 1631, "the."] [Footnote 179: an: So 4to 1616.--Not in 4tos 1624, 1631.] [Footnote 180: boldly: So 4to 1616.--2tos 1624, 1631, "brauely."] [Footnote 181: heart's: So 4tos 1624, 1631.--2to 1616 "heart."] [Footnote 182: that: So 4to 1616.--2tos 1624, 1631, "the."] [Footnote 183: the: So 4to 1616.--2tos 1624, 1631, "that."] [Footnote 184: now: so 4to 1616.--Not in 4tos 1624, 1631.] [Footnote 185: art: Old eds. "heart" (which, after all, may be right).] [Footnote 186: there: So 4tos 1624, 1631.--2to 1616 "here."] [Footnote 187: his: So 4tos 1624, 1631.--Not in 3to sic 1616.] [Footnote 188: pull: So 4tos 1624, 1631.--2to 1616 "put."] [Footnote 189: all: Old eds. "call."] [Footnote 190: through: So 4tos 1616, 1624.--2to 1631 "thorow."] [Footnote 191: Amongst: So 4to 1616.--2tos 1624, 1631, "Among."] [Footnote 192: Enter the ambushed Soldiers: Here (though it seems that Faustus does not quit the stage) a change of scene is supposed.] [Footnote 193: these: So 4to 1616.--2tos 1624, 1631, "the."] [Footnote 194: the door: i.e. the stage-door,--the writer here addressing himself to THE ACTOR only, for the scene lies in a wood.] [Footnote 195: Zounds: So 4tos 1624, 1631.--2to 1616, "Zons."] [Footnote 196: all are: So 4to 1616.--2tos 1624, 1631, "are all."] [Footnote 197: these: So 4tos 1624, 1631.--2to 1616 "this."]