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might execute the most painful and dangerous work. The skill of the Roman artists might be corrupted to the destruction of their country. The walls of Aquileia were assaulted by a formidable train of battering rams, movable turrets, and engines, that threw stones, darts, and fire; [48] and the monarch of the Huns employed the forcible impulse of hope, fear, emulation, and interest, to subvert the only barrier which delayed the conquest of Italy. Aquileia was at that period one of the richest, the most populous, and the strongest of the maritime cities of the Adriatic coast. The Gothic auxiliaries, who appeared to have served under their native princes, Alaric and Antala, communicated their intrepid spirit; and the citizens still remembered the glorious and successful resistance which their ancestors had opposed to a fierce, inexorable Barbarian, who disgraced the majesty of the Roman purple. Three months were consumed without effect in the siege of the Aquileia; till the want of provisions, and the clamors of his army, compelled Attila to relinquish the enterprise; and reluctantly to issue his orders, that the troops should strike their tents the next morning, and begin their retreat. But as he rode round the walls, pensive, angry, and disappointed, he observed a stork preparing to leave her nest, in one of the towers, and to fly with her infant family towards the country. He seized, with the ready penetration of a statesman, this trifling incident, which chance had offered to superstition; and exclaimed, in a loud and cheerful tone, that such a domestic bird, so constantly attached to human society, would never have abandoned her ancient seats, unless those towers had been devoted to impending ruin and solitude. [49] The favorable omen inspired an assurance of victory; the siege was renewed and prosecuted with fresh vigor; a large breach was made in the